Explore promotion
Twelve ways to put a record in front of the people who might use it. Every service describes the work, not a promised outcome.
01
Pitch your music to relevant independent playlist curators.
We match the record to curators who already programme your genre and territory. You receive an outreach log and any placements they report. This is not Spotify editorial pitching and it is not a promise of placement.
02
Connect your release with relevant creators and audiences.
Creator outreach is planned around sound, lyric and audience fit. Posts that go live are recorded. Views are included only when a creator or ad account actually provides them.
03
Introduce the release to creators, editors and audiences on Instagram.
Campaigns can include creator posts, stories and, when scoped, paid distribution. We report activity. We do not promise reach or follower growth.
04
Pitch the song or video to channels and audiences that already watch your genre.
Outreach, premieres and optional advertising are scoped separately. View counts are reported only from available data.
05
Service the record to stations and presenters who can actually play it.
A radio campaign is a servicing and follow-up process. Confirmations are logged. Spins are counted only when a station verifies them.
06
Put the song in front of DJs in the cities and scenes that matter for the release.
DJs receive the record with context. Responses and reported support are logged. Club play is never guaranteed.
07
Pitch the story to music blogs and online magazines with a real reason to cover it.
You get the pitch list, the replies, and links to pieces that publish. Coverage depends on editors, not a package promise.
08
Shape a clear story and take it to journalists, editors and producers.
PR starts with an angle, a press note and the right desks. Interviews and reviews are opportunities, not deliverables that can be bought.
09
Work with creators whose audiences already care about the kind of music you make.
We introduce the song. Creators choose whether to post. ClassicalPromo does not sell fake engagement.
010
Run clearly scoped ads where paid reach is the right tool.
Spend, audiences and creative are agreed first. Reporting uses the ad account. Ads are distribution, not a promise of fans.
011
Clarify the story, visuals and assets around the release.
Branding work covers biography, press photos, links and the way the campaign is described. It supports promotion. It does not invent a career.
012
One desk for the plan, the partners, the updates and the report.
Campaign management keeps playlist, social, radio, DJ, blog and press work in one timeline so you can see what moved and what is still open.